June 24th - July 22, 2017
This is a combined studio and science course offered to students who are looking for an opportunity to explore their studio art practice while examining various concepts found in ecology and earth systems. This class is based in the Burren of Western Ireland, which provides a unique experiential and observable location with which to explore the relationships between landscape and the social sphere.
We will investigate, with a combined science and fine art practice, how our social and earth ecologies coexist and interrelate. We will examine ways anthropogenic influences are shaping large-scale interactions of climate, oceans and the biosphere to define our shared environment. Class meetings will include seminars on the scientific discourse around ecological thought, as well as discussions of contemporary fine art practice by faculty and visiting Irish artists, and local experts of The Burren. Multiple field trips and excursions into the local landscape and cultural surroundings will be an important component of the course. Environmental and social justice, ecological thought, and activism will be central themes.
Participating students will have dedicated studio space in order to explore their own creative practice in response to the concepts presented in the class. Students will be expected to read contemporary ecological theory, write, research and articulate their findings and ideas to the class. Student participation will be drawn from a variety of art and design institutions associated with the PALS consortium, a program of the Association of Independent Colleges of Art & Design (AICAD). Students can anticipate an immersive, stimulating, and intellectually enriching experience that fosters critical dialogue and international connectivity while pursuing their own artistic growth.
The course will be co-taught by Hugh Pocock and Emily Bosanquet:
Born in New Zealand and raised in the United States, Hugh Pocock’s work seeks to integrate the dynamics of natural and cultural phenomena. Pocock’s work inhabits the space where the “natural” and the” technological” are inseparable. Organic materials, such as water, air, salt, wood and earth and the processes of labor and industry are the platforms on which Pocock’s work are built. The history and metaphor of the human relationship to natural resources, time and energy are among the issues Pocock investigates in his sculptures, installations, performances and videos. Over the past two decades, he has shown his work in Los Angeles, San Francisco, New York, Santa Fe and Baltimore as well as internationally in the former Soviet Union, Germany and China. His work has been exhibited in galleries and museums including Portikus Museum in Frankfurt, Germany, the Wexner Museum, the Santa Monica Museum of Art and the Baltimore Museum of Art. Pocock’s work has also been built for “non-art sites” such as private homes, movie theatres and farms. He received his BFA from the San Francisco Art Institute and then completed his MFA at UCLA in New Genres.
Hugh Pocock is a full time faculty member at the Maryland Institute College of Art and is the founding coordinator Concentration in Sustainability and Social Practice. He has been the MICA PALS Fellow since 2010.
Emily Bosanquet is an interdisciplinary scientist interested in describing the connections between natural phenomena, social and cultural dynamics, and the political, legal, and economic institutions that organize our lives. Bosanquet teaches at the Pacific Northwest College of Art (PNCA) where her current research interest is in supporting cross disciplinary dialogue between artistic practices and scientific methodologies within a pedagogical framework in order to address social and ecological concerns.
Bosanquet has worked as a geologist and environmental scientist in Australia, South East Asia and the United States, and studied at the University of Edinburgh, Scotland and the University of California, Santa Barbara. Bosanquet has developed and currently teaches a variety of undergraduate science curriculum, as well as classes in critical pedagogy in the MFA Print Media program. Bosanquet is the PNCA representative to the Partnership for Academic Leadership in Sustainability, and the principal investigator for a five-year grant with NOAA Fisheries and the founder of the Art + Science Initiative at PNCA.