Visiting Artists

Burren College of Art Time, Space & Inspiration

Featured Visiting Artist


The son of a Scottish policeman, Alastair Maclennan was born in 1943 in the Perthshire village of Blair Atholl. As a consequence of his father being regularly relocated, the family moved often within the Perth and Kinross area. Holidays were spent with grand parents on the Isle of Skye where a great great uncle had once practised as an artist. Since 1975, he is based in Belfast, Northern Ireland. He was a founder member of Belfast’s Art and Research Exchange. He is member of the performance art collective Black Market International (BMI).

He studied at the Duncan of Jordanstone College of Art and Design of the University of Dundee in 1960-65. 1966-68 he received his Master of Fine Arts from the School of the Art Institute of Chicago, Chicago. He now is Emeritus Professor in Fine Art, University of Ulster in Belfast, Honorary Fellow of the Dartington College of Arts, Devon, and Honorary Associate of the National Review of Live Art, Glasgow.

MacLennan’s live work is prevailingly long durational. During the 1970s and 1980s he presented performances in Britain and America, of up to 144 hours. His work looks into political, social, religious, ethical and aesthetical questions.

While some fellow contemporaries believed that art should pursue ideals of beauty and exclude the ugliness of civil war, Maclennan felt his work could not avoid such horrors. He was compelled to refer to everything he experienced and commenced a series of inter-relating actions about art and daily life that would communicate directly to fellow citizens.

On a day in August 1977 MacLennan dressed himself in black for work as usual, hung a dartboard round his neck, and veiling his head and body with polythene walked from his house in loyalist east Belfast via Royal Avenue to the art college.

'Target' addressed a number of obvious and critical social and cultural issues, central to which was the vulnerability of the individual as an ordinary citizen and in this case, his role as a performance artist within a tradition-based art school which was, at this time, mostly hostile to his work.

During this period Maclennan developed sustained works that pushed the parameters of personal endurance and performance. These were invariably undertaken in the nude. He obscured his identity and his personality by applying primal substances such as flour and soot to his body. During most of these performances Maclennan went without food and sleep. They ranged from 12 hours in duration to 144 hours or six days and six nights.

These multi-dimensional works had their origins in drawing, but here the drawer was also being drawn, that is, he was an integral component in the process of making an artwork. The space in which the work took place was being gradually altered or ‘actuated’. The drawer/performer was facilitating qualitative decisions, modifying, deviating, resolving insights and possibilities within a carefully prepared space.
 

 

Visiting Artists

 

Burren College of Art values its connectedness to the international, national and regional art worlds and maintains this through a vibrant programme of visiting artist and scholar presentations each semester. We welcome renowned artists, curators, gallerists, critics and scholars to participate in conferences, symposia and the weekly visiting artist programme, known as the ‘Wednesday Session’. After a group presentation of their work, artists are available to students for individual studio visits on a sign-up basis.  This programme is our way of connecting and making professional relationships with artists who have made serious contributions to their disciplines, and who inspire and energise our community.  We invite both established and emerging practitioners, working across diverse creative practices, from Ireland and abroad.